Las óleos de todo Joseph Mallord William Turner

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Painting (From A to Z)

Details

55036

Naked portrait

mk239 1910-1911 Watercolour 33.1x33cm

85754

Naufragio

1805(1805) Medium Oil on canvas cyf

54911

Night

mk238 1825-1830 Watercolour 30.2x43.9cm

54971

Night

mk238 1833-1835 Watercolour 24x31.5cm

55059

No title

mk239 1911 29x25.6cm

55076

No title

mk239 1911 Watercolour 28.3x25.8cm

55077

No title

mk239 1911 Watercolour 28.3x25.8cm

55103

No title

mk239 1915 Watercolour 45x61cm

55106

No title

mk239 1916 Watercolour 23.8x16cm

55107

No title

mk239 1916 Watercolour 28.5x22cm

55110

No title

mk239 1917 Watercolour 25.5x34cm

55111

No title

mk239 1916 Oil on canvas 67x60cm

55112

No title

mk239 1917 20.7x14cm

55113

No title

mk239 1917 30.8x21cm

55114

No title

mk239 1917 Watercolour 34x25.5cm

55116

No title

mk239 1918 Watercolour 27.4x38cm

55117

No title

mk239 1918 Watercolour 25.7x34.4cm

55118

No title

mk239 1918 Watercolour 35x52.5cm

55122

No title

mk239 1921 Watercolour 30.4x24.4cm

55123

No title

mk239 1920 Watercolour 24x19cm

55126

No title

mk239 1922 Watercolour 34x24cm

55127

No title

mk239 1922 Watercolour 26.9x36.6cm

55129

No title

mk239 1922 Watercolour 46.7x42.5cm

55130

No title

mk239 1922 Watercolour 32.8x47.8cm

55134

No title

mk239 1923 Watercolour 33x47.5cm

55143

No title

mk239 1924 Watercolour 25x20cm

55180

No title

mk239 1930 22.3x16.1cm

55208

No title

mk239 1940 49x31.5cm

55213

No title

mk239 1941 Oil painting

55214

No title

mk239 1941 31x48cm

55216

No title

mk239 1941 33x51cm

55218

No title

mk239 1940 49.8x35cm

43981

Norham Castle, Sunrise

1845 Oil on canvas, 91 x 122 cm

55205

Note

mk239 1939 31.6x48.5cm

55124

Nuber two

mk239 1921 Oil on canvas 131x181cm

55125

Nuber two

mk239 1921 Watercolour 19.1x22.9cm

55048

Nubmer

mk239 1913 Oil on canvas 200x300cm

55083

Nubmer 26

mk239 1912 oil on canvas 97x107.5cm

55085

Nubmer 28

mk239 1912 Oil on canvas 39x56.1cm

55088

Nubmer 30

mk239 1913 Oil on canvas 111x111cm

55082

Number 15

mk239 1912 Watercolour 31.3x47.6cm

55054

Number 19

mk239 1911 Oil on canvas 120x141.5cm

55096

Number 199

mk239 1914 Oil on canvas 162.6x122.7cm

55055

Number 21a

mk239 1911 Oil on canvas 96x105cm

55042

Number nine

mk239 1910 Oil on canvas 110x110cm

55041

Number seven

mk239 1910 Oil on canvas 131x97cm

55047

Number seven

mk239 Oil on canvas 131x97cm

55044

Number ten

mk239 1910 Oil on canvas 120x140cm

54826

Old London bridge

mk238 1797 watercolour 26.2x35.9cm

55141

On the purple

mk239 1924 Watercolour 34.5x22.6cm

56675

over backen

mk248 detta devonsbirelandskap ar sa inspirerat av claude lorrains landskapsmakeri, att den engelska landsbygden kika garna kunnat vara italin, turner larde sig teckna ocb farglagga topogragiska bilder i mitten av 1790-talet. da ban ocb girtin bada var anstallda av tbmas monro.

54946

Oxford street

mk238 1837-1839 Watercolour 38.2x55.2cm

91560

Oxfordshire

1810(1810) Medium oil on canvas Dimensions 101,5 x 130 cm cyf

54815

Pantheon

mk238 1798 Oil on canvas 74.3x58.4cm

55031

Part

mk239 1909 Oil on canvas 95.2x150.1cm

55037

Part of Constructure

mk239 1910 Oil on canvas 58x48cm

92308

Passagiere gehen an Bord

1827(1827) Medium oil on canvas Dimensions 170,2 X 235,5 cm cyf

3235

Peace

1842 Tate Gallery, London

24489

Peace-burial at sea (mk31)

1842 Oil on canvas 87x86.5cm

90750

Pethworth Sussex, Wohnsitz des Earl of Egremont, Taufrischer Morgen

1810(1810) Medium oil on canvas Dimensions 91,4 x 120,6 cm cjr

24475

Petworth Park.Tillington Church in the distance.Ca (mk31)

Ca.1828 Oil on canvas 64.5x145.5cm

55105

Picnic

mk239 1916 watercolour 34.4x34.2cm

55174

Point of intersection

mk239 1928 48.5x31cm

79667

portrait

1798(1798) Medium Oil on canvas Dimensions 58 x 72.5 cm (22.8 x 28.5 in) cyf

24472

Prudhoe Castle,Northumberland (mk31)

1826 Watercolour 29x41cm

55191

Purple

mk239 1934 130x162cm

55202

Purple with orange

mk239 1935 Oil paiting 88.9x116.2cm

43978

Quillebeuf, at the Mouth of Seine

1833 Oil on canvas, 88 x 120 cm

86260

Quillebeuf, Mouth of the Seine

Date 1833(1833) English: Oil on canvas Dimensions 91,5 x 123,2 cm cjr

54866

Quli and Cisi

mk238 1811 Oil on canvas 190.5x160cm

54962

Rain Cloud

mk238 1845 29.1x44cm

61218

Rain,

Rain, Steam and Speed - The Great Western Railway painted (1844).

3237

Rain, Steam and Speed The Great Western Railway

1844 National Gallery, London

52522

Rain, Steam and Speed The Great Western Railway before 1844

Oil on canvas, 91 x 122 cm

40688

Rain,Steam and Speed

mk156 Before 1844 Oil on canvas 91x121.8cm

43312

Rain,Steam and Speed The Great Western Railway

mk170 before 1844 Oil on canvas 90.8x121.9cm

21772

Rain,Steam and Speed,The Great Western Railway (mk10)

1844 Oil on canvas 91 x 122 cm London,National Gallery

54522

Rain,Steam and Speed-the Great Western

mk235 1844 Oil on canvas 91x122cm

24494

Rain,Steam and Speed-The Great Western Railway (mk31)

1844 Oil on canvas 91x122cm

54923

Receive baptism

mk238 1825 Oil on canvas 60x75.5cm

55167

Red trap

mk239 1929 Oil on canvas 62x49cm

82652

Regatta Beating To Windward

Oil on canvas Dimensions 35 1/2 x 47 1/2 in. cyf

54822

Resident place

mk238 1795

54940

Rider

mk238 23x30.5cm 1835

81978

Rise of the Carthaginian Empire

Date 1815 cyf

54852

River

mk238 1805-1807 Oil on canvas 85.7x116.8cm

54907

River

mk238 1824-1825 Watercolour 16.2x24.2cm

24456

River scene with boats (mk31)

1796-97 Watercolour,gouache and pencil 11.3x18.6cm

24453

River Scene,Evening effect (mk31)

1796-97 Watercolour,gouache and pencil 11.3x18.6cm

88100

Rom, vom Vatikan aus gesehen

1820(1820) Medium Oil on canvas Dimensions Deutsch: 177 x 335,5 cm cjr

54885

Roman

mk238 1820 Watercolour 29.6x40.6cm

54944

Roman

mk238 1839 Oil on canvas 91.4x121.9cm

54939

Roman fire

mk238 1834-1835 Watercolour 21.6x36.7cm

54882

Roman town

mk238 1819 Watercolour 22.4x28.5cm

54883

Roman town

mk238 1819 Watercolour 23.1x36.9cm

3213

Rome from the Vatican

1820 Tate Gallery, London

55154

Rose and gray

mk239 1924 59.5x48.5cm

24483

Rouen,looking up the Seine (mk31)

1832 Watercolour and pen on blue paper 14.1x19.2cm

55151

Rover

mk239 1924 Watercolour 35x24.5cm

54836

Ruin castle

mk238 1802-1803 watercolour 27.4x33.4cm

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

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